Linda Weintraub started her introduction on the gallery with
the question “How often do you spend on human paved surfaces?” I sat there for
a few moments, reflecting on the fact that I have spent almost all my life
following constructed pavement, road, or sidewalk.
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Concrete pavement road (Inhabitat) |
Industrialization and mechanization has led to almost all of
our interactions in daily life to be with human made and manufactured objects
or things. Even a simple paper coffee cup, though derived from a tree, is
processed, bleached, distorted, and manufactured, creating a complete
disconnect from its origin.
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Starbucks coffee cup (USA Today) |
She paralleled how just as these manufactured
objects dis-attach us from nature, we are becoming more dis-attached from our
bodies. She emphasized how our bodies, in this increasingly automated world, just
become a machine and we forget the true ability of our bodies. Charlie
Chaplin’s commentary on industrial society, as referenced in Dr. Vesna’s
lecture, reflects this, by criticizing how humans are turning into a means of
an end with the huge increase in mechanization of labor.
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Charlie Chaplin movie shot (Cornell Cinema) |
This event, by making the connection between
industrialization and humans and nature, gives me more insight into our class
topic of industrialization and art. The objective of her gallery mirrors Walter Benjamin’s
thoughts on how art is losing its uniqueness as it continues to be
reproduced. In a similar
way, we as humans are losing or forgetting our unique, powerful, and authentic ability.
In fact, it was hard for me to recall the last time I really appreciated my
body’s natural ability as I often spend my days sitting in front of a computer
or at desk in a classroom. Many jobs are now focused on developing technology
to enhance our abilities rather than appreciate it. With automation and
inventions of machines, we have lost our need to explore due to our strong
dependence on these machines and manufactured products.
This has infiltrated into the art world
heavily, by transforming our thoughts on “formal” art, developing new forms of
art, and creating artwork centered on these consumerist products such as Andy
Warhol’s pieces.
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Andy Warhol art piece (MOMA) |
This gallery exhibition wanted us to get back to the
simplicity of nature and allow us to explore our bodies’ interactions with it. In
the gallery, we were instructed to go through 4 boxes at 6 different stations
that focused on senses that we as humans innately have: flavor and aroma,
smell, touch and feel, and beauty from seeing.
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Senses diagram (Weebly) |
Each box contained different pieces discovered purely from
the Earth such as mushrooms, feathers, rocks, pinecones, plant branches, and
tree bark. One task asked to arrange a number of mushrooms of different
textures and surfaces to create a visual appealing piece for the individual.
Being constantly surrounded by human impacted materials, it is often hard to
see any beauty of simple natural things like mushrooms. However, arranging the
mushrooms created a unique, distinct pattern that one could call art that I
found very beautiful. It was amazing to see the intricate structures and
textures of each mushroom, something I would usually never recognize, and how
it came together to create art.
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Different mushroom types (Ram Pages) |
I would definitely recommend this event as her art gallery
transformed our traditional outlook in this industrialized age. She encouraged
our bodies to use its neglected ability, with the introduction of mechanization
of labor, and appreciate the Earth’s substances, which hasn’t been altered by
industrialization. For my midterm, I hope to incorporate this same idea of
challenging our daily life being ruled by industrialization and mechanization
in its relation to nature or our body’s fluidity and capability. I hope to
investigate the form of art our body can create to connect this industrialized
period to art.
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Art through the body and dance (Pinterest) |
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Selfie proof |
References:
Weintraub, Linda. "Welcome to My woods." Art|Scie Eco-centric Art+Science Workshops with Linda Weintraub, 20 April 2017.
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